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Classical music in a class of its own

Winnipeg Free Press

Dallas Hansen

ADMIT it, you love classical music. Even if you don't know a concert from a concerto, everybody has enjoyed an orchestral movie score.

But just as a 20-inch television offers no comparison to an IMAX screen, so does Dolby Digital Surround Sound pale against the sonic magnificence of 80 musicians playing live.

In lieu of the cinema, the symphony makes an ideal post-dinner date destination: more sensual, and with less finality. Whereas a movie's closing credits seem to suggest the night's end, 90 minutes of classical leaves its audience thinking, What next?

Whether you seek to stoke a new flame or to reinvigorate a long love, the sounds of a live orchestra uplift and unite, setting an agreeable mood for the evening's denouement.

Having grown without musical training in a household largely unappreciative of the arts, I can sympathize with those who find classical music -- with all its esoteric minutiae of terms, works, and composers -- impenetrably daunting. Yet you needn't be an expert to know what you like.<P>

Like any concert, a Winnipeg Symphony Orchestra performance is most enjoyable when you recognize what's playing. Between the public library and the home computer, you may freely preview the works of any forthcoming performance to find something you're excited to hear -- for classical music is not some homogeneous body of like sounds.

The Beatles and Metallica, while sounding nothing alike, are both rock quartets who in adjacent decades composed with the same instruments; exponentially greater, however, are the centuries-wide stylistic differences between Enlightenment-era Vivaldi and 20th-century Copland.

From Soviet symphonies to harpsichord harmonies, you'll eventually find what you enjoy, and even if it turns out to be film scores, the WSO Pops can accommodate.

Anecdotal evidence suggests that many young people haven't visited the symphony, at least not since a grudging trip during grade school. But student tickets can be low as $12 -- and the balcony actually has the best sound in the hall.

Flowers, champagne, even dinner would impress less and cost more. Cheaper still is the Manitoba Chamber Orchestra, but for the truly thrifty or risk-averse, a surprising number of free performances can be found from students, soloists, and small groups such as quartets.

At home, if you're friends with a classically trained musician, you may be able to wangle ambient, neighbour-friendly entertainment for your next party.

If your work attire is casual, the symphony also provides additional legitimacy for dressing up for dinner; after your meal you'll find yourself in yet another rare setting where you're glad not to be wearing sneakers.

Diminished in the workplace, the suit's presence now largely lies as a back-of-the-closet item reserved for court appearances, funerals, and weddings, but amid the pleasures of the symphony it takes on a new social lustre.

If you're dateless, the Centennial Concert Hall makes a superb solo destination, for with each performance there are many outstanding eligibles about, the intermissions offering a strategic window for conversation.

As you and the rest of the audience share an admiration for the performance, the social possibilities of the symphony scene can indeed bring surprises to your life.

Classical music tends to infect an insatiable consideration of the aesthetic in its listener, so much that you may find yourself consuming or even creating more music, painting, cinema, theatre and other forms of art. With all that exists to hear and see and read we could spend a lifetime of waking hours absorbing it.

Adding the classics to our lives helps us to understand contemporary music better, as the elements of rhythm, melody, harmony, and tone colour are universal throughout musical forms.

You may end up surprised that your favourite DJ has lifted loops from a Mozart symphony.

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www.dallashansen.com




© 2007 dallashansen.com / truwinnipeg.org